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Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers.,

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“Well, we’ll take her,” said Olaf.,

Aunt Grenertsen certainly was difficult to talk with; and sometimes he did not even get a “half moon.” He believed he wouldn’t go there any more, or try to please either her or old Katrina, who was almost worse than Aunt Grenertsen.,

Then, all at once, the merchant lost the whole of his fortune; nothing was left to him but a little house, situated far away in the country. He told his children, weeping, that they would be obliged to go and live there, and that, even then, they would have to support themselves by the work of their own hands. His two elder daughters refused to leave the town; they had many admirers, they said, who would be only too glad to marry them, although they were now without fortune. But these young ladies found themselves greatly mistaken, for their admirers did not even care to look at them, now that they were poor. They had made themselves generally disliked, on account of their haughty behaviour. "They do not deserve to be pitied," said everyone; "we are very glad that their pride is humbled; let them go and play the fine lady, keeping sheep." But people spoke differently of Beauty. "We are very sorry," they said, "that she is in trouble; she is such a good girl! she always spoke so kindly to the poor! she was so gentle and courteous!" Several of her suitors, also, still wished to marry her, although she had not a penny, but she told them that she could not think of leaving her father in his distress, and that she intended going with him into the country, to comfort him, and help with the work. Beauty was very unhappy at losing her fortune, but she said to herself, "It is no use crying, tears will not give me back my riches; I must try and be happy without them.",

“Oh, that? Well, that’s—that’s nothing.”